6.912-12-12 ▪ The Concert for Sandy Relief

Movies · 2012

12-12-12 ▪ The Concert for Sandy Relief

12-12-12 | The Concert for Sandy Relief

6.9/10 ★★★☆☆ 6.9 ◷ 350 min 2012-12-12 United States of America
Production Company
The Weinstein Company

Story

The Concert for Sandy Relief presents a live broadcast of a worldwide cleansing and solidarity ritual performed in 2012. On the other hand, different musicians and artists gather as a social response to the hurricane disaster in New York. The film invites both visual and emotional journeys through inter-stage transitions; each performance offers a melodic evolution, while the audience on the one hand offers a melodic message of hope and unity. This musical feast once again draws the audience to an experience that brings together the power of art and humanity to overcome great challenges.

Review

6.9/10★★★☆☆ 6.9
The Concert for Sandy Relief is a documentary that documents a live broadcast of a giant charity concert in 2012 in response to a New York hurricane. The film invites the audience to go on a visual and sensory journey through the scenes; each performance is an independent story within itself. Although it is not a central point, it gives the audience a sense of being in a common universe where different cultures come together. The sound quality, vitality and production value are high, but sometimes it can be difficult to get the audience's attention when the flow of images changes quickly. Short cuts and changing camera angles slowly include the audience into the entire stage. Talks and short interviews highlight motivation and social solidarity behind the stage. As a result, the film presents the power of music as a global language with a visual feast. Impressive stage arrangements, real-time energy and smooth transitions affect the audience emotionally.

Pros1

  • Live voice quality and production value high Music and stage regulations create visual feasts The message of public solidarity is clear and effective

Cons1

  • Fast transitions can distract the audience. Sometimes the talking parts can be long and boring.

Cast

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