Final Fiction, ladies and gentlemen.

The latest fiction: Ladies and gentlemen, an experimental drama about questioning the boundaries of one love by gathering more than 450 cinema moments that György Pálfi put together in three years by György Pálfi. The film conducts the audience in a new romantic myth in the shadow of familiar faces; Marcello Mastroianni, Brad Pitt and Alain Delon meets the male figure who combines the image of Brad Pitt and Alain Delon, while Audrey Hepburn and Greta Garbo also faces the female figure who bears the mark of Greta Garbo. The director keeps the audience in the space between time and memory by moving them beyond the classic movie patterns, with a visual collage and cut-off narrative. Stage transitions, thin tone shifts in the color palette and whispers in sound design, as a demonstration of the romantic story, while the fine details hidden in the gestures of characters force the audience to think of structural freedom as a new reference at all times. The fact that romance still has an emotional pull is one of the most obvious contradictions in the film. After all, the classicization of Pálfi (Pálfi) gives the audience the opportunity to explore the limits of experimental love, but it also tests the patience of the audience. The film reconstructs the definition of love above, both visually and narrativeally, which makes it a new study that everyone can't easily digest, but it makes it a new point in film history.