I'm Tired of Dying Every Day

Orhan's difficult working life in Germany and his internal contradictions in returning to his roots in Turkey create a distinct atmosphere in the first minutes of the film. The camera filters the narrow streets of Ankara and the gray tones of the workers' neighborhood in a way that reflects the loneliness of the character; This visual language prepares the viewer to confront the grudge in the two families' past.

Meral's identity as a literature teacher is supported by quotes and metaphors that frequently appear in the dialogues; His love is presented as a defense mechanism woven with words. Although the chance meeting of the two seems to be just a romantic coincidence, the rhythmic editing and musical choices in the scenes create tension and light of hope at the same time.

The acting especially embodies Orhan's inner conflict with his silent looks and Meral's passionate but measured speeches. The film frames the generation-long weight of the blood feud in a dramatic framework, and presents the young people's effort to rewrite this legacy with a subtle mixture of humor and tragedy.

The director's narrative structure slowly drags the audience from one impasse to another, making them feel how fragile love and peace can be. The last scene is one that will keep the audience busy for a long time with the questions it leaves behind.